Grammy-Nominated Travis Scott and Drake Producer Tay Keith Found Dead Aged 29
- Post By DJ Longers
- June 19, 2026
Music Industry in Mourning: Grammy-Nominated Hip-Hop Producer Tay Keith Found Dead Aged 29
NASHVILLE — Brytavious Lakeith Chambers, the multi-platinum, Grammy-nominated American record producer known professionally as Tay Keith, has died at the age of 29.
The hitmaker, whose signature trunk-rattling 808 basslines and sharp trap beats defined the sound of modern hip-hop over the last decade, was found dead in his apartment in Nashville, Tennessee, on Thursday 18th June.
The tragic news was formally confirmed by the Metro Nashville Police Department. According to a statement released by state authorities, police officers discovered Chambers' body while carrying out a routine welfare check at his residence. Officials have explicitly stated that no foul play is suspected at this stage. The case remains unclassified pending the final results of an autopsy to determine the official cause of death.
A Sonic Icon of the Streaming Era
Born and raised in Memphis, Tennessee, Tay Keith rapidly evolved from an underground mixtape beatmaker into one of the most commercially dominant and critically acclaimed architects of contemporary music.
His monumental career breakthrough arrived in 2018 via an explosive partnership with fellow Memphis native BlocBoy JB. Together, the duo caught the attention of Canadian rap superstar Drake, culminating in the release of the global smash hit "Look Alive".
Later that same year, Chambers secured his place in music history by co-producing Travis Scott’s diamond-certified, genre-shifting masterpiece "Sicko Mode" alongside Drake. The track, celebrated for its ambitious, multi-part beat switches, peaked at number one on the US Billboard Hot 100, spent months commanding the UK Official Singles Chart, and ultimately earned Chambers a Grammy nomination for Best Rap Song at the 61st Annual Grammy Awards.
Bridging Hip-Hop and Pop Royalty
Chambers' unique sonic blueprint quickly attracted attention far beyond the traditional boundaries of the trap sub-genre. His production portfolio grew to include an elite, cross-genre roster of musical royalty, most notably shaping tracks for Eminem ("Not Alike"), Lil Baby ("Never Recover"), and Miley Cyrus.
In 2019, global icon Beyoncé enlisted Chambers to help construct her modern interpretation of the Frankie Beverly and Maze classic "Before I Let Go", featured as a celebratory bonus track on her historic Homecoming: The Live Album. Chambers' production cleverly sampled a Winston-Salem State University gathering, successfully channeling the vibrant energy of Historically Black Colleges and Universities (HBCUs) to a mainstream global audience.
Alongside his heavy-hitting studio commitments, Chambers was deeply invested in corporate executive development within the music landscape, successfully launching and running his own independent record label and production imprint, Drumatized.
The Chart-Topping Production Portfolio of Tay Keith
| Track Title / Release | Primary Billing Artist | Peak Chart / Industry Benchmark | Sonic Hallmark / Musical Impact |
| "Look Alive" (2018) | BlocBoy JB feat. Drake | Top 5 US Hot 100 / UK Top 20 | Propelled the Memphis rap scene into international prominence |
| "Sicko Mode" (2018) | Travis Scott feat. Drake | Billboard No. 1 / Grammy Nominated | Acclaimed for its progressive, multi-layered structural beat switches |
| "Nonstop" (2018) | Drake | Billboard Hot 100 Top 5 | Characterised by its minimalist, driving hypnotic bass loops |
| "Before I Let Go" (2019) | Beyoncé | Featured on Homecoming project | Integrated traditional HBCU marching band culture into mainstream pop |
| "Pound Town 2" (2023) | Sexyy Red feat. Nicki Minaj | Viral streaming and club hit | Cemented his relevance within the modern wave of TikTok-driven rap |
Collaborators Pay Emotional Tribute
News of the 29-year-old’s sudden passing has prompted a massive wave of grief and emotional tributes from major artists, peers, and collaborators across the global music community.
Taking to his official Instagram account, a devastated BlocBoy JB shared a poignant series of historical photos documenting their teenage years together in the studio.
“Damn Cuz, you just hurt me bad,” the rapper wrote in an emotional social media post. Sharing a screenshot of their extensive, daily mobile phone call logs, he added: “We talked every day, you didn't tell me you were leaving.”
Parallel tributes were rapidly posted by fellow high-profile hip-hop producers, including Hitkidd and ATL Jacob, who used their digital platforms to express shock and offer condolences to Chambers' family.
As fans around the world return to streaming the catalog of hits he left behind, the hip-hop community stands united in mourning a prodigious talent who rewrote the rules of modern production before his life was tragically cut short.